Posts

Tips from the InFocus Photo Curator

The InFocus Photo Exhibit & Award call for submissions deadline is Sunday, October 30 at midnight. As the curator of InFocus, this is one of my favorite times of year. It’s like Christmas. Throughout the fall, submissions flow in for InFocus and when the deadline passes, I get the honour of viewing and experiencing so much amazing photography. It truly is a great gift.

 

InFocus 001

 

I want to give a little insight into what makes up a successful submission. Everyone does things a little differently, but here are a few helpful tips:

  • I look for photographers that have something to say. When you are thinking about what images you will be submitting, ask yourself: What would the first reaction be from someone who has never seen this photograph before? What am I communicating through my aesthetic and technical choices?
  • Your vision as a photographer must come through in your photographs. “Art talk” never sways me if the work itself is not strong. Your artist statement and descriptions play second fiddle to the photographs. The work must be able to stand alone.
  • That said, I read all artist statements and will especially be turning a keen eye to the answers to the theme “The Future” this year. I do appreciate thoughtful responses. If your words provoke deep reflection, this is a good thing.
  • If you worry your photography is too weird/ordinary/conceptual/abstract/etc. – please DON’T FRET : ) You don’t have to fit a mold. I am looking to experience your unique perspective on the world. That is going to be totally different from the next photographer – and that’s OKAY.
  • Submitting three or more images from totally different styles or subjects is fine – if those are your strongest images. If you don’t have a cohesive group of related photographs, only enter your best work.
  • On the other hand, as the curator, I get a much better sense of your vision if you enter three (or more) photographs that relate. It is often in these instances where I may choose one or two or even three of the images you have entered. These would be displayed together.
  • If you have more than one body of work you want considered, I would recommend entering twice, for example. The first three images in submission 1 will be from your first body of work. The second three images in submission 2 will be from your second body of work. This way I can get the best sense of each grouping. Out of the two entered, only one group of images may be chosen, but this is more likely to result in a successful entry than trying to fit both bodies of work within one submission of three images.
  • It is very important that you know the size of your photograph and the finished framed dimensions as well. I look at the sizing when selecting the images. Knowing the dimensions of the gallery, I make sure I choose the right amount of work so the show does not feel too squishy or too sparse. This is why I would really appreciate you considering these dimensions carefully before entering.
  • I do not have a preference for large pieces over small, or vice versa. When people ask me about the size to print their photos, I always advise that you must first look to the work itself. Does it demand a grand scale? Or would it present better smaller, drawing viewers to step closer? There is not right or wrong answer.

 

infocus-photo-exhibit-2017-alexis-marie-chute-instagram-1

 

If you have other questions, I would love to answer them for you!

 

Just a few days ago I had a great phone call with a student photographer from Ontario. She had lots of relevant questions (many I have answered above) and she is very eager to enter. Her love of photography shone through during our conversation. That is what I am looking for: people who love this creative medium and are exploring it – and the world around them – in their own special ways.

 

With just a few days till the deadline, pop me an email if you have something you’d like to run by me infocus@alexismariechute.com I look forward to hearing from you!

 

Happy submitting!

 

Sincerely,

 

Alexis Marie Chute, InFocus Curator

15 Reasons to Submit to InFocus Photo

The deadline for Canadian photographers to submit to InFocus Photo Exhibit and Award is October 30, 2016! That is only 9 days away! Now is not the time for procrastination; SUBMIT TODAY!

infocus-image-for-amart

The mission of InFocus is to promote and exhibit innovative, thoughtful, and provocative photography created by Canada’s contemporary image makers.

The call for submissions is open to professionals, armatures and students alike. We want to see forward thinking photography that capitalizes on the strengths and subtleties of the medium and takes image-making to a new level.

The goal is to exhibit the best photography from the country!

 

Here are 15 reasons you should submit to InFocus:

 

1. See your photography hung in The Front Gallery, one of Edmonton’s most important artistic hubs. Read more about The Front Gallery by clicking here.

the-front-gallery-logo-infocus-photo-exhibit-alexis-marie-chute

2. Your work will be featured in Exposure Photography Festival, a critical festival of photography in the country.

Exposure Photography Festival Alexis Marie Chute art BLOG

3. Participate in the InFocus Photo People’s Choice Award competition, with the chance to win the cash prize from VISTEK.

 “Eye of the Storm” © Aidan Guerra, InFocus Photo People’s Choice Award winner 2016


“Eye of the Storm” © Aidan Guerra, InFocus Photo People’s Choice Award winner 2016

 

4. PhotoEd Magazine will be publishing a feature on InFocus and you could see one of your images included in the spread.

photoedlogo

5. Sell your work during InFocus. The gallery and InFocus Team will encourage art patrons to support photographers and our creative community in this way.

InFocus Photo Exhibit 2016 Alexis Marie Chute Curator 01

6. Become a part of the InFocus Alumni and network with other photographers and professionals during exhibit and afterwards.

InFocus 2015 Alumni Photographers

InFocus 2015 Alumni Photographers

 

7. Snatch up a volunteer opportunity with InFocus Exhibit 2017 to gain experience mounting and running an exhibition. Email Alexis Marie to find out how to help info@alexismariechute.com

 

8. Add this noteworthy exhibition to help grow your creative CV.

 

9. Attend a rockin’ reception party on Thursday, February 9, 2017 at 6-9pm with live music and yummy snacks (and invite your family and friends!).

The Front Gallery, Edmonton, Alberta, Canada

The Front Gallery, Edmonton, Alberta, Canada

10. Have your work discussed for its merits and inclusion in the show by curator Alexis Marie Chute. This takes place during the Curator Talk on Thursday, February 9 at 7pm in the gallery.

InFocus 001

11. Immerse yourself in photography, discover other image-makers from across the country, learn from them AND take your own work to the next level.

12. Each photographer’s Artist Statement and CV will be displayed at the exhibit to educate the visitors about your work.

13. Have something cool to talk about on Facebook and Twitter other than what you had for breakfast (although we’re sure it was delicious!).

14. Take advantage of InFocus’s national platform to bring more attention to your hard work.

15. Finally, just like the InFocus theme (THE FUTURE), your participation in InFocus will set you apart as a noteworthy photographer to watch.

canada-photography-photographers-infocus-alexis-marie-chute-share

 

Submit to InFocus Photo Exhibit by clicking here. Deadline October 31, 2015!

Like InFocus Photo Exhibit on Facebook.

Follow InFocus Photo on Twitter.

 

Perks of Winning the InFocus People’s Choice Award

There are so many awesome perks of participating in InFocus Photo Exhibition in general, such as nation-wide recognition for your work and participation in a group show in a stunning gallery space. But, the exhibition is just one part of InFocus.

How the InFocus People’s Choice Award works:

Every year, InFocus hosts a People’s Choice Award competition. The curator, yours truly, chooses one image from every photographer selected for the show. These images go online for one month. JANUARY. During that time, the public can go online and vote for their favorite. Part of the fun is getting all your family and friends online to cast their votes your way.

Last year, the race to the award title was exciting! We had over 2,000 votes. During the curator talk at the opening reception, VISTEK, the award sponsor, presented the winner with cash to their store.

The winner of the 2016 InFocus Photo People’s Choice Award was Aidan Guerra:

“Eye of the Storm” © Aidan Guerra, InFocus Photo People’s Choice Award winner 2016

“Eye of the Storm” © Aidan Guerra, InFocus Photo People’s Choice Award winner 2016

 

PEOPLE’S CHOICE AWARD PERKS:

This year, there are some really great perks for winning the InFocus Photo People’s Choice Award.

  • You win a cash prize to VISTEKVistek_ InFocus Photo Exhibit Peoples Choice Award
  • You will have your winning image featured as a part of the spread on InFocus in PhotoEd magazine

photoedlogo

 

  • Plus bragging rights of course. The title of “InFocus Photo People’s Choice Award Winner” looks awfully good on a CV.

 

Well, hopefully these awesome perks are more than reason enough to enter InFocus. Truly, this is a wonderful, home-grown exhibition with heaps of national pride and creative flare. Please don’t delay to enter. Here are the details:

ENTER INFOCUS PHOTO:

Enter by October 16, 2016 for regular rate – $25 for 3 images

Extended deadline October 30, 2016 – $35 for 3 images

Enter online at www.infocusphoto.ca/infocus-submission/

Learn more about InFocus at www.InFocusPhoto.ca

Happy submitting!

-AMC

 

Are you the future of photography?

InFocus Photography Exhibition and Award is looking for the next big name in photography in Canada. Why are you one to watch? What are you doing differently? What old technique are you making new? Tell us: what do you have to say?

One of the great things about being a curator of a group exhibition like InFocus, is that I have the privilege of seeing some of the most talented, forward-thinking and exciting artists. I am truly proud to be a part of this great show and cannot wait sift through all the amazing entries.

InFocus is a photography exhibition that welcomes any Canadian photographer to enter their work. You could call yourself an amateur, be a student, or a veteran pro. Whoever you are, whatever your subject; we want to see what you’ve got.

infocus-photo-exhibit-award-call-for-submissions-insta-alexis-marie-chute

This year, the theme of InFocus Photo is… THE FUTURE.

This is a broad theme, open to interpretation. We welcome photographers to submit their best photography that relates to this theme in some way. It could connect through:
1. The technique used
2. The message conveyed, or
3. The subject of the photographs themselves

Here are some provoking questions when thinking about “The Future.”

  • What is the future of photography?
  • What makes Canadian photography distinct?
  • As a photographer, where are you going?
  • What do you have to say – and in what unique way are you saying it?
  • How does your photography provoke your viewers?
  • Why are you a photographer to watch – now and in the years to come?
  • What innovative techniques are you using or what old processes are you making new again?

The Future” is an abstract theme. We believe it can speak to all photographers, whatever the subject matter, including fine art, portraiture, nature, urban landscapes, editorial, commercial, conceptual, documentary, journalistic, social commentary, architectural, still life, wildlife, travel, multi-medium, three dimensional, and beyond.


SUBMISSION DETAILS:

Enter by October 16, 2016 for regular rate – $25 for 3 images

Extended deadline October 30, 2016 – $35 for 3 images

Enter online at www.infocusphoto.ca/infocus-submission/

Learn more about InFocus at www.InFocusPhoto.ca


Happy submitting!

-AMC

Show your Photography at The Front Gallery

The Front Gallery is a beautiful creative space located in the heart of Edmonton, Alberta, Canada. It is the perfect place to host a nation-wide exhibition of the best photography Canada has to offer. This is an exhibition you need to be a part of. InFocus Photography Exhibit and Award strives to present the current cultural climate of photography in the country. This is a major photographic-survey you want to be a part of.

the-front-gallery-logo-infocus-photo-exhibit-alexis-marie-chute

ABOUT THE FRONT GALLERY:

The Front Gallery is pleased to be able to feature Edmonton’s artistic diversity in a relaxed and welcoming environment. Whether catering to serious collectors or the casual passer-by, The Front Gallery is an inviting environment to engage with art that speaks to people about new ideas and ways of seeing.

The art exhibited at The Front Gallery comes from both Canadian and international artist and extends from traditional landscapes to more challenging contemporary pieces, all of which have the ability to surprise, delight and inspire it’s audiences.

Our passion at The Front Gallery is in providing a relaxed and inviting environment where the first connection between a person and a work of art can open the mind to a dialogue that will last a lifetime.

ENTER INFOCUS PHOTO:

Enter by October 16, 2016 for regular rate – $25 for 3 images

Extended deadline October 30, 2016 – $35 for 3 images

Enter online at www.infocusphoto.ca/infocus-submission/

Learn more about InFocus at www.InFocusPhoto.ca

THE FRONT GALLERY IS THE PROUD HOST OF INFOCUS PHOTO 2017:

the-front-gallery-infocus-photo-exhibit-alexis-marie-chute the-front-gallery-4-infocus-photo-exhibit-alexis-marie-chute the-front-gallery-3-infocus-photo-exhibit-alexis-marie-chute the-front-gallery-2-infocus-photo-exhibit-alexis-marie-chute

Artists, beware of scams!

We all need to be aware of the scams going around that take advantage of hard-working, honest creative people. Working as a professional artist for the last fifteen years has taught me something:

If it sounds too good to be true, it probably is.

I don’t mean to say this in a pessimistic way, but I do think it is prudent to be cautious when opportunity knocks on your door. Please read this article and share it with other creative entrepreneurs you know. It is important that we spread the word and protect ourselves and others. Our work, time, and talent are too valuable to be scammed.

 

6 tips for avoiding scams targeting creative entrepreneurs

 

TIPS TO AVOID SCAMS

 

TIP 1: Run opportunities through the below 4 criteria before signing on the dotted line

 

The legitimate opportunities that have come my way have been:

  1. Through hard work on my part
  2. By some initiative of my own making, either recently or traceable from a seed planted a while back
  3. Through someone I know or by a mutual connection (a friend of a friend or a coleague of a coleague, for example)
  4. Tried by someone I know and respect who vouches for it

 

I distinctly remember being contacted by Agora Gallery in New York who **found my work online and loved it.** I had never heard of them before, but was so excited that a New York gallery had contacted me. Unfortunately, when I asked some of my artist friends whether they had heard of the gallery, which they had, the reviews were not positive. I researched extensively online. There were may forum discussions about this and other vanity galleries. I gathered that Agora contacts A LOT of artists they find from combing the internet.

One red flag right off the bat: they charge artists $5,450 USD to show in their gallery!!

Artists: You should not have to pay a legitimate gallery to show your work. 

As beautiful as the dream is to show my art in the Big Apple, I want to earn my way there, not pay for it. Plus, when you dish out the dough to get your work shown, those “in-the-know” in the art community will spot that immediately on your CV. Is it worth it? The decision is up to you.

TIP 2: Do Your Homework

If someone emails or phones you about a **big opportunity** that you **simply must participate in** – BEWARE.

I continuously receive emails telling me to buy a page in an art catalog or photography book that will be sent out to agents, galleries, reps, and so on. They go on and on about what an amazing opportunity it is. The fee for one of these is $500 for a page in a photo book, for example. They lay it all out: at $500 for a page, with the book sent to thousands of agents, your actual investment is $X per agent.

They are doing the hard sell. If you are desperate, maybe their offer sounds appealing. But again, I say BEWARE. Are these thousands of agents asking for this product? Likely not. Is there any way of knowing that these books actually get sent out and seen?

First check out the person and business these offers represent. Does this person knows someone you know? Or are you connected through a business network? Do they have a concrete location? Are you familiar with this company or the individual within the broader community you work in?

Search for reviews on the internet. Online reviews and forums can be a LIFESAVER. 

Causion avoid artist scams

 

TIP 3: Trust your gut

You may have been found (or targeted) because your online presence is doing its job. The scammer found you because you are promoting yourself as an artist or a writer or a sculptor. It’s great to be found, but there are far too many people/scams out there that try to take advantage of creative people.

I know that it may seem wonderful to be contacted. We all want to hear how great our work is, that we are wanted and valued. Hear it from me: YOUR WORK IS GREAT! YOU ARE VALUABLE! YOUR CONTRIBUTION IS MEANINGFUL! YOUR LIFE MATTERS! KEEP DOING WHAT YOU ARE DOING! (I mean it. I believe in creative people pursuing their passions. It is inspiring. And I know we all need to hear these encouraging words sometimes… okay, often. The best part? You don’t have to pay me to say this to you. Take the encouragement for free : )

With unsolicited **opportunities** flattery can be a cover for the scam. They will say:

  • Your writing is so great, please write for our site? (For free of course)
  • Your art is amazing, I’d like to buy, can I pay online? (They may pay with stolen funds, demand a refund, you may never see your work again, causing you all kinds of stress)
  • Your drawings are so captivating, can we show them in our gallery? (For a huge sum of money)

If something doesn’t feel right, if your sixth sense is tingling, TRUST YOUR GUT! This is probably one of the best pieces of advice, not only for avoiding scams, but in every area of life.

TIP 4: Read carefully and with discernment

If you get an email about your work, look closely at the email address it is being sent from. Strange looking email addresses are a good clue that the sender may not be legit.

Here is an example of a suspicious email address (from the scam email below):

scam email address

Also, if the email is vague and asks for prices and payment options – BEWARE.

Here is a screen shot of two scam emails I received this year. Two different senders. Basically the same wording – although not perfect grammar (another clue!). Here is exactly what to look out for:


 

Artist Scam email


 

At first, in January, I wondered if this was a real email inquiry. I even responded. I continued to get vague responses. It was fishy!!! I didn’t pursue the conversation. Then just today I received almost the exact same message. What perfect confirmation of the SCAM that it is. Watch out!

TIP 5: If the **big opportunity** asks for money, run the other direction

I am so frustrated with all the great/wonderful/fabulous opportunities that come my way – that of course cost an arm and a leg! It is incredibly disappointing that so many scams rip off creative people, many of whom are doing their absolute best to scrape a living from the pursuit of their dreams.

This seems obvious, but we all need a good reminder every now and then: 

People should pay YOU for your work, not the other way around.

NOTE: There are many legitimate opportunities out there that do ask for an entry fee. Many competitions and group exhibitions are volunteer run and need the funds to put on the show or award a prize. Still, do your homework.

For example, I run InFocus Photo Exhibit and Award: www.InFocusPhoto.ca (which soon will be hosted on it’s own site, yay!) As a part of the submission process for InFocus, we charge an entry fee. I will be very transparent: my first year running InFocus we charged $10/entry of 3 images – and I still ended up paying about $600 out of my own pocket to host the exhibition, promote it, get wine for the opening reception, list the event in Exposure Photography Festival’s printed program, etc. The second year I charged a bit more ($25/3 images) and found some sponsorship and through this, broke pretty close to even.

I am using InFocus Photo as an example that modest amounts of money are reasonable – but still only when you know that the organizer or organization is reputable. Even a small amount of money is too much to lose on a scam.

 

TIP 6: Consider twice if they contact you

I am sure we all want to get to the place where opportunity knocks on our door, instead of us having to seek it out. Unfortunately, for the vast majority of us, that is not the case.

Consider the above example of a big gallery contacting you. In all reality, legitimate galleries are probably far too swamped with submissions from artists to spend a huge amount of time searching out new talent. It probably does happen, but not that often.

When real opportunities do knock, as I hope they will for you, if you check them out by going through the above tips, you can feel more confident in their validity.

 

There are always exceptions to the above. There are many wonderful people in the world along with many great opportunities. Be discerning. Good luck on all your creative adventures! 

Thank you so much for reading! If you know about any scams that the public should be aware of, please share them below in the comments.

 

Emogene: Special Guest Post

Alexis Marie: I have loved sharing the stories and inspirations of some truly interesting individuals during the InFocus 2016 show. Are you excited? Even through InFocus 2016 is already underway, it is not too early to begin preparing for InFocus 2017! In the fall, we will release the call for submissions and we would love to see your work. For now, I’m pleased to introduce one of our current and talented photographers, Emogene.

Welcome Emogene!

Guest Post

I’m very pleased to participate in the InFocus Photography Exhibition 2016. Special thanks go to Alexis Marie Chute for creating and curating this wonderful event.

 

In 2008, I switched from film to digital and haven’t looked back. Having the technology to shoot as many images as I want has not changed my process. I continue to work in manual mode and take about the same number of photos I would have taken with film. Volume does not necessarily ensure the result you are looking for and personally, I’d rather spend my time focusing on one image rather than waste it by having to review and delete unwanted images.

 

When I’m shooting, I don’t make a plan because I prefer to wander. I feel like I’m in a world of my own . . . no rules, no distractions, no pressure. That way I don’t have any preconceived expectations and often find new material without much difficulty. I’ve also learned that by not looking, I can see so much more.

 

Currently, I’m working on two overlapping self-studies “Concealment” and “Inside Exteriors”. Concealment in the sense of keeping both sides of the fence separated with the choice of being either inside or outside but not both at the same time. “Inside Exteriors” is a series of images I’ve taken of building interiors through transparent exterior walls. Ironically, one of my Concealment photographs was selected for “Interiors”, a group exhibition in New York in April 2016.

Hurdles

Hurdles

 

Containment

Containment

Architecture is of great interest to me. It doesn’t matter if the building is modern, has suffered from decay, is local or international, I’ll find a way to be there. Whether it be geometric patterns, lines, reflections or a combination of these, my intention is to create something entirely new by deliberately combining existing elements in an unexpected way. The images below are from my “Inside Exteriors” series. Both images were taken in the vicinity of the Northern Alberta Jubilee Auditorium in Edmonton.

Inside_Exterior1

Inside_Exterior1

 

Inside_Exterior2

Inside_Exterior2

www.emogene.ca

Hedy Bach: Special Guest Post

Alexis Marie: I have loved sharing the stories and inspirations of some truly interesting individuals during the InFocus 2016 show. Are you excited? Even through InFocus 2016 is already underway, it is not too early to begin preparing for InFocus 2017! In the fall, we will release the call for submissions and we would love to see your work. For now, I’m pleased to introduce one of our current and talented photographers, Hedy Bach.

Welcome Hedy!

Guest Post

As an imagemaker I study how things look and sound. I work daily with my camera and words to compose beautiful “thought things” as one way to form ideas to inspire reflection and rumination, perhaps start a conversation.

My photographs are almost all allegories about my understandings of human desire for settlement…of spaces and places in which people and things fit together. I try to negotiate my subjectivities of looking and composing my “thought things” with Scruton’s ideas of why beauty matters…to see the remedy of beauty as an instrument of peace.

On 12/6/15 I received a happy email from Alexis Marie Chute for this InFocus 2016 exhibition. I am humbled that my image entitled ‘Mason’ was chosen to be part of this years exhibit.

“Mason” 2015

“Mason” 2015

Steve Butler’s apartment number movie

Sometimes BUT not always I see sounds first…when I saw this Mason jar at the Fort Edmonton…the words from Connor Zwetsch’s song “Candy Bars” came into my mind’s eye…

whisky and coke in our mason jars
to the year’s sweeter than candy bars
we crumble like the leaves

 In the room I imagined a “thought thing” for my blog post, which started conversations…here is one.

“Hi Hedy, I like the question mark that seems to follow that [Mason] image of yours for me. I felt like someone was just there. And yet it seemed deserted and it made me wonder what they were doing, and what did they do there, and was the water clean in an old jar or was it dirty water and why? Also I thought of Mason as in Stonemason, Mason bee, and of course mason jar. One definition I saw online was “to build from or strengthen with stone” and for me that was an interesting image next to the centerpiece of something made of glass. Anyway I enjoyed thinking about your photograph and all the different thoughts I had in doing so.”

“I’ve got icicles hanging” 2015

“I’ve got icicles hanging” 2015

distance between Earth and the star Polaris in light years

it’s too quiet in here
and i’m beginning to freeze
i’ve got icicles hanging
from my knees
under fifteen feet of pure white snow (Nick Cave, 2001)

“Hold your breath” 2015

“Hold your breath” 2015

number of solar days in the mean tropical year

“Look carefully at the little girls you are teaching, Hedy, many will go missing or be murdered.”

These Elder’s staggering words have lingered for 10 years and continue to haunt me.

When I think of our missing and murdered Aboriginal women if not now, when? My image is part of The REdress Photography project lead by Mufty Mathewson.

“U” 2015

“U” 2015

http://hedybach.tumblr.com/post/129449278387/u-hedybach

In celebration of St. Albert Photography Club’s 25th anniversary in 2017, my image ‘U” was selected for their submission to the ‘Art Gallery of St Albert’ art show.

“In my camera bag” 2015

“In my camera bag” 2015

http://www.streethunters.net/blog/2015/10/26/inside-hedy-bachs-camera-bag/

 

Hedy Bach is an award winning visual researcher, writer, and imagemaker. Hedy’s first book A Visual Narrative Concerning Curriculum, Girls, Photography Etc. was published in 1998 and explores the evaded curriculum in the lived experiences of high school girls through photography and story. Currently, she is working on a narrative nonfiction entitled Emeline which is a graphic novel being created by cutting up and reorganizing illustrations from cultural artifacts, photography, and literature.

http://sloppybuddhist.com/

https://www.linkedin.com/in/hedybach

http://hedybach.tumblr.com/

https://500px.com/hbach

InFocus 2016 Opening Reception!

The InFocus 2016 opening reception took place on February 4. It was a wonderful event with over 250 people in attendance! There was great food, drink, and conversation! Alexis Marie spoke fondly of all the work presented in the show during the curator’s talk and it spurred on a great deal of conversation afterwards. It was a wonderful event!  Take a look at some of the images below.

InFocus 001 InFocus 002 InFocus 003 InFocus 004 InFocus 005InFocus 007 InFocus 008

 

Also, we want to send out a HUGE congratulations to Aidan Guerra for winning the 2016 People’s Choice Award! His image, Eye of the Storm, is a spectacular piece. Vistek was proud to hand over the prize of a $250 gift certificate during the event. Great job Aidan!

Eye of the Storm

Eye of the Storm, by Aidan Guerra

InFocus 006

 

Finally, the show continues to run for the month of February. The gallery is open Wednesday through Saturday. Make sure to stop by and see the show! It is located at dc3 Art Projects (10567 111 St NW, Edmonton, AB T5H).

Thank you to everyone who came to the opening and the photographers who made this show possible!

InFocus Photo Exhibit Opening Reception this Thursday

It was an exciting weekend! Not only did we hang the InFocus Photo Exhibit at dc3 Art Projects, but our InFocus People’s Choice Award voting came to a close. The voting was a close race all month. In the end, there were over 2,000 votes cast online. I am so excited to announce the winner. That will take place during my Curator Talk at the opening reception.

InFocus Photo Exhibit 2016 Alexis Marie Chute Curator 01

 

Alexis Marie & Aaron Chute, the core InFocus Team.

Alexis Marie & Aaron Chute, the core InFocus Team.

InFocus Photo Exhibit 2016 Alexis Marie Chute Curator 02

A big thank-you to Vistek, our InFocus People’s Choice Award sponsor.

Vistek_ InFocus Photo Exhibit Peoples Choice Award


InFocus Photo opening reception:

Thursday, February 4, 6-9PM
Curator Talk 7PM
dc3 Art Projects
10567 – 111 Street
Edmonton, AB

2016-INVITE-back-012 done 150dpi dc3


 

Last week I spoke about InFocus on Global morning news. Here is the interview.

I hope to see you Thursday night!

InFocus Photo Exhibit 2016 Alexis Marie Chute Invite