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InFocus: Opening Party & Portfolio Reviews
InFocus Photo Exhibit & Award is open to the public! Visit The Front Gallery to see this amazing show. I am so proud to curate InFocus and I love seeing how it is propelling photographers’ careers forward and engaging people in the dialogue about why photography matters. I believe photography is art. This is something I’ve always promoted – and defended. The Front Gallery owner, Rachel Bouchard, is on the same page (and the gallery looks great adorned in photos, btw).
Photography is a dynamic, impassioned and powerful creative medium. Not to be ignored.
If you are in Edmonton, Alberta, Canada this Thursday, February 9 – come out to the InFocus Photo opening party! And come back again on Friday night for the portfolio reviews. Here is more info about both of these awesome events:
InFocus Opening Reception:
Thursday, February 9, 2017
6 – 9 pm
The Front Gallery
12323 – 104th Avenue, Edmonton, Alberta
Curator Talk & InFocus Photo People’s Choice Award presentation – 7pm
InFocus Portfolio Reviews:
Portfolio Review Date:
Friday, February 10, 2017
6:30-9:30 PM
Registration: $40+GST
Students. Enthusiasts. Amateurs. Professionals. ALL PHOTOGRAPHERS WELCOME!
We have a rock star line-up of reviewers ready to bestow their wealth of knowledge and experience to all portfolio review participants.
Reviewers include: Larry Louie, Curtis Trent, Akemi Matsubuchi, and yours truly, Alexis Marie Chute.
Bring printed photographs, a bound portfolio or images on your laptop or tablet. The reviewers will look at your work, give feedback on how to make it better or how to promote yourself – or anything else you may be wondering about with your photography.
One registration will give you ten (10) minutes with each of our four talented and generous photographers in a speed-dating style review.
THERE ARE ONLY 6 SPOTS LEFT! REGISTER NOW!
Here is more info about InFocus:
MISSION: To promote and exhibit innovative, thoughtful, and provocative photography created by CANADIAN contemporary image makers.
INFOCUS PHOTO is an annual exhibition that began in 2015. In it’s first year, the show took place at Harcourt House Artist Run Centre and featured Edmonton and area photographers. In the second year, InFocus expanded to celebrate the best photography from across Alberta, showcased at dc3 Art Projects. Now, in its third year, InFocus has fulfilled its mission of welcoming submissions from ALL Canadian photographers. This year, the curated show will be mounted in The Front Gallery.
InFocus is one of the major photographic surveys of Canadian-made imagery.
InFocus presents the current cultural climate in photography within our nation.
Here is the line-up of InFocus 2017 Photographers:
Hedy Bach
Wes Bell
Lauren Dary
Al Dixon
Gerry Dotto
Emogene
Greg Gerla
Andy Greening
Laura Grier
Aidan Guerra
Chan Hawkins
Joshua Jensen
Candace Makowichuk
Ann Mansolino
Drew May
Deborah Naoum
Rob Pohl
Marko Radovanovic
JT Rehill
Steve Ricketts
Murray Sugden
Anne Tapler White
Vanessa Tignanelli
Curtis Trent
Kevin Tuong
Henry VanderSpek
Peter Young
InFocus 2017 Photographer Al Dixon
To continue with guest blog posts by InFocus 2017 photographers, I am pleased to introduce Al Dixon. Al has been with InFocus since the beginning and his landscape images reveal he is a man of patience and skill. As InFocus is quickly approaching, I love peering into the creative practices of these photographers. It is inspiring to say the least. I’m sure you will feel the same after reading Al’s words. On that note, away we go!
AL DIXON
A picture is worth a thousand words. Yes, that’s oh so ‘tre cliche’, yet it’s a mantra that many photographers and other visual creatives live by. We strive to create images that resonate with our audience by capturing their imagination, evoking emotions & feelings, or spurring conversations. Along with a level of technical mastery & a certain visual appeal, these are the hallmarks of an exceptional image. We each have our own reasons as to why we embark on these creative journeys. For me it starts as a stress reliever. After that, the mixture of art & technology provides outlets for both my Inner Artist & Inner Nerd. Surprisingly, when we start to forget these reasons we seem to be able to produce an image reminding us of them just in time.
It wasn’t until after first posting “Sunset at Abraham” online and receiving feedback that I saw the image in a totally different manner. Having shot the image with an exposure of 4 minutes, the chaos and raw power of the location had been greatly mellowed and refined. Many that know the area commented that they had never seen Windy Point so calm and tranquil. Thinking back on the evening I created the image, I could recall sitting on the rocks with little doubt in my mind as to how the location had received its name. While strong winds attempted to toss photographer and gear into the lake, powerful gusts buffeted the tripod threatening the dreaded camera shake. Waves were crashing on the rocks below, creating spray that clambered to find purchase upon my filters and lens. What I didn’t realize at the time was that while I was aware of all this chaos, confusion, and distractions; not once did any of it interfere with the mission I was on. The image my Inner Artist intended to capture was clear in his mind, my Inner Nerd contently performed filter exposure calculations in his head, and I sat on that cold wet rock completely and totally at peace.
All it takes now is but a moments glance at that image to remind me of the simple joy the art of photography has brought into my life. While the stress of the daily grind may seem over bearing at times, immersing myself in creating images can make all of that go away. It rekindles the memories of ‘borrowing’ my parent’s camera as a child, countless hours in the darkroom throughout high school, and countless photo excursions with my daughter. These simple joys had been fading over the past few years; but thanks to a cold, wet, windy evening they are here to stay.
Where Al hangs his hat online:
Website: www.aldixonphotography.com
Facebook: www.facebook.com/AlDixonPhotography
Twitter: @Al_D_Photo
Instagram: @Al_D_Photo
InFocus Photo Portfolio Reviews!
Happy Boxing Day! Since we are still in the season of giving and generosity, why not treat yourself to an amazing photographic learning and networking experience? That is where the InFocus Photo portfolio reviews come in! This brand new initiative by the InFocus Photo team is truly an amazing opportunity. Here is more info:
Students. Enthusiasts. Amateurs. Professionals. ALL PHOTOGRAPHERS WELCOME to the InFocus Photo Portfolio Reviews!
We have a rock star line-up of reviewers ready to bestow their wealth of knowledge and experience to all portfolio review participants. Online registration will begin soon. For now, if you would like to reserve your spot, please email infocus@alexismariechute.com
Soon, an online registration form will be available on www.InFocusPhoto.ca. There you will be able to select the time slot of your choice. Keep checking back at the InFocus Photo site for updates.
Portfolio Review Date:
Friday, February 10, 2017
6:30-9:30 PM
Registration: $40+GST
Bring printed photographs, a bound portfolio or images on your laptop or tablet. The reviewers will look at your work, give feedback on how to make it better or how to promote yourself – or anything else you may be wondering about with your photography.
One registration will give you ten (10) minutes with each of our four talented and generous photographers in a speed-dating style review.
THERE ARE ONLY 16 SPOTS AVAILABLE.
Here is a little bit about the reviewers:
REVIEWER – Akemi Matsubuchi
Akemi Matsubuchi was born in Montreal, Quebec, and lived in several countries before settling in St. Albert, Alberta. Her love of photography harkens back to the age of 10 when Akemi’s father put a camera in her hands and encouraged her to take a second look at the world. Akemi attended Ryerson University in Toronto and received a Bachelor of Fine Arts in Still Photography. Since graduating, she has pursued commercial photography, worked in the book publishing industry, and currently instructs at Northern Alberta Institute of Technology where she loves being surrounded by creative minds.
Akemi loves to travel and has always had a special affinity for nature. Backcountry hiking is a much-loved break from the sounds of the city and is ideal for her infrared photography. Travelling feeds her desire to experience new cultures and inspires her to take the second look and record the world as her father advocated. That desire to share has been the driving force of her photography and approach to teaching. She believes a visual history of humankind is extremely important and would like people to become emotionally connected in how she interprets the world.
REVIEWER – Curtis Trent
Binding together his tremendously diverse portfolio is a distinct use of composition, light and narrative. Inspired by the never-ending sky of his prairie roots, Curtis doesn’t allow for boundaries. He was recognized early on as a multi-disciplined photographer gliding easily between editorial, lifestyle, portrait and advertising. By not compartmentalizing his work, Curtis has found that elusive balance between commercial photography and fine art. In fact, he welcomes both to overlap: undoubtedly a contributor to his telltale style.
Since moving back west from Toronto over 12 years ago, he continues to stretch his experience and skill while enjoying the big sky. His images have been published widely and are represented at Bugera Matheson Gallery/Art Perspective. Curtis was recently recognized in the One Eyeland Photography Awards, taking home Silver and Bronze. He was nominated in the 2015 National Magazine Awards, in the Cover Photography category. Curtis teaches at Grant MacEwan University.
REVIEWER – Larry Louie
“It takes vision to be a good photographer, to imagine how the world around you will look in a photograph. But it takes another kind of vision to see how you can use what skills and experience you have to help other people. “ (Mark Bentley talking about Dr. Larry Louie, Black and White Photography, UK, March 2012).
International award winning documentary photographer Larry Louie leads a dual career. In his optometry clinic, he is Dr. Larry Louie, working to enhance the vision of people from all walks of life in the urban core of a North American city. On his travels, he is a humanitarian documentary photographer, exploring the lives of remote indigenous people, and documenting social issues around the world. As an optometrist, Larry adjusts people’s visual perception. As a photographer, he seeks to adjust people’s view of the world. Either way, he is interested in things that exist outside the regular field of vision.
Over the last couple of years, Dr. Louie has used his photography as a platform to high light the work of different charities around the world, along with other social issues and challenges people are encountering in a world facing rapid urbanization and globalization. He wants to engage people in inspiring stories of perseverance and strength, not only of those who have found themselves caught in such a plight, but also amazing individuals and organizations that are lending a helping hand. He hopes his photographs will be able to tell the stories and make a difference, and to reveal light that is found in the darkest of places.
Larry’s award winning photographs have appeared in the Asian Photography Magazine, Digital Camera Magazine, British Journal of Photography, B&W Magazine, National Geographic and National Geographic Traveler Magazine. His work have also been exhibited around the world; from the Royal Geographical Society of London, UK to the Circle of Fine Art in Madrid, Spain, to the Center of Photography in Charleston, South Carolina to the Pendulum Gallery in Vancouver, Canada to the Royal Alberta Museum in Edmonton, Canada.
REVIEWER – Alexis Marie Chute
Alexis Marie Chute is a professional artist, author, photographer and filmmaker. She has her Bachelor of Fine Art from the University of Alberta and her Masters of Fine from Lesley University in Cambridge, MA. She has received over 30 noteworthy distinctions for her visual and literary work, such as The John Poole Award for promotion of the Arts (2015), and being named an “Emerging Canadian Photographer” by Photo Life Magazine (2012), and a “Top 40 Under 40” by Avenue Magazine (2013). She is the curator and founder of InFocus Photo Exhibit and Award. She is also a reviewer for PhotoEd Magazine’s photography platform.
Alexis Marie’s debut memoir, Expecting Sunshine will be released April 2017 by She Writes Press, accompanied by the documentary film on the same topic. Alexis Marie is a highly regarded public speaker and she has presented on art, writing, bereavement and the healing capacities of creativity around the world. She is widely published in anthologies, newspapers and magazines and her artworks has been exhibited across North America. She is represented by the AR&S Gallery at the Art Gallery of Alberta.
Email infocus@alexismariechute.com to save your spot!
2017 InFocus Photographers Announced
The 2017 InFocus Photo Exhibit is going to be a great show! Inspired by the theme “The Future,” the 2017 InFocus photographers come together in a moving collection of some of the best photography our country has to offer!
ABOUT INFOCUS:
MISSION: To promote and exhibit innovative, thoughtful, and provocative photography created by CANADIAN contemporary image makers.
INFOCUS PHOTO is an annual exhibition curated by Alexis Marie Chute. In it’s first year, 2015, the show took place at Harcourt House Artist Run Centre and featured Edmonton and area photographers. In the second year, InFocus expanded to celebrate the best photography from across Alberta, showcased at dc3 Art Projects. Now, in its third installment, InFocus has fulfilled its mission of welcoming submissions from ALL Canadian photographers. This year, 2017, the curated show will be mounted in The Front Gallery. InFocus takes place every February during Exposure Photography Festival.
Click here to visit the InFocus Photo Exhibit and Award website.
As the curator of InFocus, I am immensely proud to announce our line-up of talented and innovative photographers for 2017:
Hedy Bach
Wes Bell
Lauren Dary
Al Dixon
Gerry Dotto
Emogene
Greg Gerla
Andy Greening
Laura Grier
Aidan Guerra
Chan Hawkins
Joshua Jensen
Candace Makowichuk
Ann Mansolino
Drew May
Deborah Naoum
Marko Radovanovic
Jay Rehill
Steve Ricketts
Murray Sugden
Anne Tapler White
Vanessa Tignanelli
Curtis Trent
Kevin Tuong
Henry VanderSpek
Peter Young
There are many exciting announcements to share in the days ahead. Some of these include:
- A NEW EVENT: The InFocus portfolio review night! We’ve got a great group of professional reviewers lined-up to offer their wealth of knowledge and experience to photographers. Stay tuned for the online registration which will open soon.
- Very shortly we will launch the 2017 edition of the InFocus Photo People’s Choice Award. Voting will take place online and is an exciting race to the finish line. The winner will be announced at the opening reception during the curator talk.
Please subscribe to this blog by clicking here to stay on top of all the exciting InFocus news, along with other happenings by the InFocus curator.
Tips from the InFocus Photo Curator
The InFocus Photo Exhibit & Award call for submissions deadline is Sunday, October 30 at midnight. As the curator of InFocus, this is one of my favorite times of year. It’s like Christmas. Throughout the fall, submissions flow in for InFocus and when the deadline passes, I get the honour of viewing and experiencing so much amazing photography. It truly is a great gift.
I want to give a little insight into what makes up a successful submission. Everyone does things a little differently, but here are a few helpful tips:
- I look for photographers that have something to say. When you are thinking about what images you will be submitting, ask yourself: What would the first reaction be from someone who has never seen this photograph before? What am I communicating through my aesthetic and technical choices?
- Your vision as a photographer must come through in your photographs. “Art talk” never sways me if the work itself is not strong. Your artist statement and descriptions play second fiddle to the photographs. The work must be able to stand alone.
- That said, I read all artist statements and will especially be turning a keen eye to the answers to the theme “The Future” this year. I do appreciate thoughtful responses. If your words provoke deep reflection, this is a good thing.
- If you worry your photography is too weird/ordinary/conceptual/abstract/etc. – please DON’T FRET : ) You don’t have to fit a mold. I am looking to experience your unique perspective on the world. That is going to be totally different from the next photographer – and that’s OKAY.
- Submitting three or more images from totally different styles or subjects is fine – if those are your strongest images. If you don’t have a cohesive group of related photographs, only enter your best work.
- On the other hand, as the curator, I get a much better sense of your vision if you enter three (or more) photographs that relate. It is often in these instances where I may choose one or two or even three of the images you have entered. These would be displayed together.
- If you have more than one body of work you want considered, I would recommend entering twice, for example. The first three images in submission 1 will be from your first body of work. The second three images in submission 2 will be from your second body of work. This way I can get the best sense of each grouping. Out of the two entered, only one group of images may be chosen, but this is more likely to result in a successful entry than trying to fit both bodies of work within one submission of three images.
- It is very important that you know the size of your photograph and the finished framed dimensions as well. I look at the sizing when selecting the images. Knowing the dimensions of the gallery, I make sure I choose the right amount of work so the show does not feel too squishy or too sparse. This is why I would really appreciate you considering these dimensions carefully before entering.
- I do not have a preference for large pieces over small, or vice versa. When people ask me about the size to print their photos, I always advise that you must first look to the work itself. Does it demand a grand scale? Or would it present better smaller, drawing viewers to step closer? There is not right or wrong answer.
If you have other questions, I would love to answer them for you!
Just a few days ago I had a great phone call with a student photographer from Ontario. She had lots of relevant questions (many I have answered above) and she is very eager to enter. Her love of photography shone through during our conversation. That is what I am looking for: people who love this creative medium and are exploring it – and the world around them – in their own special ways.
With just a few days till the deadline, pop me an email if you have something you’d like to run by me infocus@alexismariechute.com I look forward to hearing from you!
Happy submitting!
Sincerely,
Alexis Marie Chute, InFocus Curator