InFocus Photo Portfolio Reviews!

Happy Boxing Day! Since we are still in the season of giving and generosity, why not treat yourself to an amazing photographic learning and networking experience? That is where the InFocus Photo portfolio reviews come in! This brand new initiative by the InFocus Photo team is truly an amazing opportunity. Here is more info:

Students. Enthusiasts. Amateurs. Professionals. ALL PHOTOGRAPHERS WELCOME to the InFocus Photo Portfolio Reviews!

We have a rock star line-up of reviewers ready to bestow their wealth of knowledge and experience to all portfolio review participants. Online registration will begin soon. For now, if you would like to reserve your spot, please email infocus@alexismariechute.com

Soon, an online registration form will be available on www.InFocusPhoto.ca. There you will be able to select the time slot of your choice. Keep checking back at the InFocus Photo site for updates.

 


Portfolio Review Date:

Friday, February 10, 2017

6:30-9:30 PM

Registration: $40+GST

Bring printed photographs, a bound portfolio or images on your laptop or tablet. The reviewers will look at your work, give feedback on how to make it better or how to promote yourself – or anything else you may be wondering about with your photography.

 One registration will give you ten (10) minutes with each of our four talented and generous photographers in a speed-dating style review.

THERE ARE ONLY 16 SPOTS AVAILABLE.

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Here is a little bit about the reviewers:

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REVIEWER – Akemi Matsubuchi

Akemi Matsubuchi was born in Montreal, Quebec, and lived in several countries before settling in St. Albert, Alberta. Her love of photography harkens back to the age of 10 when Akemi’s father put a camera in her hands and encouraged her to take a second look at the world. Akemi attended Ryerson University in Toronto and received a Bachelor of Fine Arts in Still Photography. Since graduating, she has pursued commercial photography, worked in the book publishing industry, and currently instructs at Northern Alberta Institute of Technology where she loves being surrounded by creative minds.

Akemi loves to travel and has always had a special affinity for nature. Backcountry hiking is a much-loved break from the sounds of the city and is ideal for her infrared photography. Travelling feeds her desire to experience new cultures and inspires her to take the second look and record the world as her father advocated. That desire to share has been the driving force of her photography and approach to teaching. She believes a visual history of humankind is extremely important and would like people to become emotionally connected in how she interprets the world.

 

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REVIEWER – Curtis Trent

Binding together his tremendously diverse portfolio is a distinct use of composition, light and narrative. Inspired by the never-ending sky of his prairie roots, Curtis doesn’t allow for boundaries. He was recognized early on as a multi-disciplined photographer gliding easily between editorial, lifestyle, portrait and advertising. By not compartmentalizing his work, Curtis has found that elusive balance between commercial photography and fine art. In fact, he welcomes both to overlap: undoubtedly a contributor to his telltale style.

Since moving back west from Toronto over 12 years ago, he continues to stretch his experience and skill while enjoying the big sky. His images have been published widely and are represented at Bugera Matheson Gallery/Art Perspective. Curtis was recently recognized in the One Eyeland Photography Awards, taking home Silver and Bronze. He was nominated in the 2015 National Magazine Awards, in the Cover Photography category. Curtis teaches at Grant MacEwan University.

 

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REVIEWER – Larry Louie

“It takes vision to be a good photographer, to imagine how the world around you will look in a photograph.  But it takes another kind of vision to see how you can use what skills and experience you have to help other people. “  (Mark Bentley talking about Dr. Larry Louie, Black and White Photography, UK, March 2012).

International award winning documentary photographer Larry Louie leads a dual career.  In his optometry clinic, he is Dr. Larry Louie, working to enhance the vision of people from all walks of life in the urban core of a North American city. On his travels, he is a humanitarian documentary photographer, exploring the lives of remote indigenous people, and documenting social issues around the world. As an optometrist, Larry adjusts people’s visual perception. As a photographer, he seeks to adjust people’s view of the world. Either way, he is interested in things that exist outside the regular field of vision.

Over the last couple of years, Dr. Louie has used his photography as a platform to high light the work of different charities around the world, along with other social issues and challenges people are encountering in a world facing rapid urbanization and globalization. He wants to engage people in inspiring stories of perseverance and strength, not only of those who have found themselves caught in such a plight, but also amazing individuals and organizations that are lending a helping hand. He hopes his photographs will be able to tell the stories and make a difference, and to reveal light that is found in the darkest of places.

Larry’s award winning photographs have appeared in the Asian Photography Magazine, Digital Camera Magazine, British Journal of Photography, B&W Magazine, National Geographic and National Geographic Traveler Magazine. His work have also been exhibited around the world; from the Royal Geographical Society of London, UK to the Circle of Fine Art in Madrid, Spain, to the Center of Photography in Charleston, South Carolina to the Pendulum Gallery in Vancouver, Canada to the Royal Alberta Museum in Edmonton, Canada.

 

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REVIEWER – Alexis Marie Chute

Alexis Marie Chute is a professional artist, author, photographer and filmmaker. She has her Bachelor of Fine Art from the University of Alberta and her Masters of Fine from Lesley University in Cambridge, MA. She has received over 30 noteworthy distinctions for her visual and literary work, such as The John Poole Award for promotion of the Arts (2015), and being named an “Emerging Canadian Photographer” by Photo Life Magazine (2012), and a “Top 40 Under 40” by Avenue Magazine (2013). She is the curator and founder of InFocus Photo Exhibit and Award. She is also a reviewer for PhotoEd Magazine’s photography platform.

Alexis Marie’s debut memoir, Expecting Sunshine will be released April 2017 by She Writes Press, accompanied by the documentary film on the same topic. Alexis Marie is a highly regarded public speaker and she has presented on art, writing, bereavement and the healing capacities of creativity around the world. She is widely published in anthologies, newspapers and magazines and her artworks has been exhibited across North America. She is represented by the AR&S Gallery at the Art Gallery of Alberta.

 


Email infocus@alexismariechute.com to save your spot!

2017 InFocus Photographers Announced

The 2017 InFocus Photo Exhibit is going to be a great show! Inspired by the theme “The Future,” the 2017 InFocus photographers come together in a moving collection of some of the best photography our country has to offer!


ABOUT INFOCUS:

MISSION: To promote and exhibit innovative, thoughtful, and provocative photography created by CANADIAN contemporary image makers.

INFOCUS PHOTO is an annual exhibition curated by Alexis Marie Chute. In it’s first year, 2015, the show took place at Harcourt House Artist Run Centre and featured Edmonton and area photographers. In the second year, InFocus expanded to celebrate the best photography from across Alberta, showcased at dc3 Art Projects. Now, in its third installment, InFocus has fulfilled its mission of welcoming submissions from ALL Canadian photographers. This year, 2017, the curated show will be mounted in The Front Gallery. InFocus takes place every February during Exposure Photography Festival.

 

Click here to visit the InFocus Photo Exhibit and Award website. 

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As the curator of InFocus, I am immensely proud to announce our line-up of talented and innovative photographers for 2017:

Hedy Bach

Wes Bell

Lauren Dary

Al Dixon

Gerry Dotto

Emogene

Greg Gerla

Andy Greening

Laura Grier

Aidan Guerra

Chan Hawkins

Joshua Jensen

Candace Makowichuk

Ann Mansolino

Drew May

Deborah Naoum

Marko Radovanovic

Jay Rehill

Steve Ricketts

Murray Sugden

Anne Tapler White

Vanessa Tignanelli

Curtis Trent

Kevin Tuong

Henry VanderSpek

Peter Young

"Pearl" by Curtis Trent

“Pearl” by Curtis Trent


 

There are many exciting announcements to share in the days ahead. Some of these include:

  • A NEW EVENT: The InFocus portfolio review night! We’ve got a great group of professional reviewers lined-up to offer their wealth of knowledge and experience to photographers. Stay tuned for the online registration which will open soon.
  • Very shortly we will launch the 2017 edition of the InFocus Photo People’s Choice Award. Voting will take place online and is an exciting race to the finish line. The winner will be announced at the opening reception during the curator talk.

Please subscribe to this blog by clicking here to stay on top of all the exciting InFocus news, along with other happenings by the InFocus curator.

 

Tips from the InFocus Photo Curator

The InFocus Photo Exhibit & Award call for submissions deadline is Sunday, October 30 at midnight. As the curator of InFocus, this is one of my favorite times of year. It’s like Christmas. Throughout the fall, submissions flow in for InFocus and when the deadline passes, I get the honour of viewing and experiencing so much amazing photography. It truly is a great gift.

 

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I want to give a little insight into what makes up a successful submission. Everyone does things a little differently, but here are a few helpful tips:

  • I look for photographers that have something to say. When you are thinking about what images you will be submitting, ask yourself: What would the first reaction be from someone who has never seen this photograph before? What am I communicating through my aesthetic and technical choices?
  • Your vision as a photographer must come through in your photographs. “Art talk” never sways me if the work itself is not strong. Your artist statement and descriptions play second fiddle to the photographs. The work must be able to stand alone.
  • That said, I read all artist statements and will especially be turning a keen eye to the answers to the theme “The Future” this year. I do appreciate thoughtful responses. If your words provoke deep reflection, this is a good thing.
  • If you worry your photography is too weird/ordinary/conceptual/abstract/etc. – please DON’T FRET : ) You don’t have to fit a mold. I am looking to experience your unique perspective on the world. That is going to be totally different from the next photographer – and that’s OKAY.
  • Submitting three or more images from totally different styles or subjects is fine – if those are your strongest images. If you don’t have a cohesive group of related photographs, only enter your best work.
  • On the other hand, as the curator, I get a much better sense of your vision if you enter three (or more) photographs that relate. It is often in these instances where I may choose one or two or even three of the images you have entered. These would be displayed together.
  • If you have more than one body of work you want considered, I would recommend entering twice, for example. The first three images in submission 1 will be from your first body of work. The second three images in submission 2 will be from your second body of work. This way I can get the best sense of each grouping. Out of the two entered, only one group of images may be chosen, but this is more likely to result in a successful entry than trying to fit both bodies of work within one submission of three images.
  • It is very important that you know the size of your photograph and the finished framed dimensions as well. I look at the sizing when selecting the images. Knowing the dimensions of the gallery, I make sure I choose the right amount of work so the show does not feel too squishy or too sparse. This is why I would really appreciate you considering these dimensions carefully before entering.
  • I do not have a preference for large pieces over small, or vice versa. When people ask me about the size to print their photos, I always advise that you must first look to the work itself. Does it demand a grand scale? Or would it present better smaller, drawing viewers to step closer? There is not right or wrong answer.

 

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If you have other questions, I would love to answer them for you!

 

Just a few days ago I had a great phone call with a student photographer from Ontario. She had lots of relevant questions (many I have answered above) and she is very eager to enter. Her love of photography shone through during our conversation. That is what I am looking for: people who love this creative medium and are exploring it – and the world around them – in their own special ways.

 

With just a few days till the deadline, pop me an email if you have something you’d like to run by me infocus@alexismariechute.com I look forward to hearing from you!

 

Happy submitting!

 

Sincerely,

 

Alexis Marie Chute, InFocus Curator

15 Reasons to Submit to InFocus Photo

The deadline for Canadian photographers to submit to InFocus Photo Exhibit and Award is October 30, 2016! That is only 9 days away! Now is not the time for procrastination; SUBMIT TODAY!

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The mission of InFocus is to promote and exhibit innovative, thoughtful, and provocative photography created by Canada’s contemporary image makers.

The call for submissions is open to professionals, armatures and students alike. We want to see forward thinking photography that capitalizes on the strengths and subtleties of the medium and takes image-making to a new level.

The goal is to exhibit the best photography from the country!

 

Here are 15 reasons you should submit to InFocus:

 

1. See your photography hung in The Front Gallery, one of Edmonton’s most important artistic hubs. Read more about The Front Gallery by clicking here.

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2. Your work will be featured in Exposure Photography Festival, a critical festival of photography in the country.

Exposure Photography Festival Alexis Marie Chute art BLOG

3. Participate in the InFocus Photo People’s Choice Award competition, with the chance to win the cash prize from VISTEK.

 “Eye of the Storm” © Aidan Guerra, InFocus Photo People’s Choice Award winner 2016


“Eye of the Storm” © Aidan Guerra, InFocus Photo People’s Choice Award winner 2016

 

4. PhotoEd Magazine will be publishing a feature on InFocus and you could see one of your images included in the spread.

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5. Sell your work during InFocus. The gallery and InFocus Team will encourage art patrons to support photographers and our creative community in this way.

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6. Become a part of the InFocus Alumni and network with other photographers and professionals during exhibit and afterwards.

InFocus 2015 Alumni Photographers

InFocus 2015 Alumni Photographers

 

7. Snatch up a volunteer opportunity with InFocus Exhibit 2017 to gain experience mounting and running an exhibition. Email Alexis Marie to find out how to help info@alexismariechute.com

 

8. Add this noteworthy exhibition to help grow your creative CV.

 

9. Attend a rockin’ reception party on Thursday, February 9, 2017 at 6-9pm with live music and yummy snacks (and invite your family and friends!).

The Front Gallery, Edmonton, Alberta, Canada

The Front Gallery, Edmonton, Alberta, Canada

10. Have your work discussed for its merits and inclusion in the show by curator Alexis Marie Chute. This takes place during the Curator Talk on Thursday, February 9 at 7pm in the gallery.

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11. Immerse yourself in photography, discover other image-makers from across the country, learn from them AND take your own work to the next level.

12. Each photographer’s Artist Statement and CV will be displayed at the exhibit to educate the visitors about your work.

13. Have something cool to talk about on Facebook and Twitter other than what you had for breakfast (although we’re sure it was delicious!).

14. Take advantage of InFocus’s national platform to bring more attention to your hard work.

15. Finally, just like the InFocus theme (THE FUTURE), your participation in InFocus will set you apart as a noteworthy photographer to watch.

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Submit to InFocus Photo Exhibit by clicking here. Deadline October 31, 2015!

Like InFocus Photo Exhibit on Facebook.

Follow InFocus Photo on Twitter.

 

Perks of Winning the InFocus People’s Choice Award

There are so many awesome perks of participating in InFocus Photo Exhibition in general, such as nation-wide recognition for your work and participation in a group show in a stunning gallery space. But, the exhibition is just one part of InFocus.

How the InFocus People’s Choice Award works:

Every year, InFocus hosts a People’s Choice Award competition. The curator, yours truly, chooses one image from every photographer selected for the show. These images go online for one month. JANUARY. During that time, the public can go online and vote for their favorite. Part of the fun is getting all your family and friends online to cast their votes your way.

Last year, the race to the award title was exciting! We had over 2,000 votes. During the curator talk at the opening reception, VISTEK, the award sponsor, presented the winner with cash to their store.

The winner of the 2016 InFocus Photo People’s Choice Award was Aidan Guerra:

“Eye of the Storm” © Aidan Guerra, InFocus Photo People’s Choice Award winner 2016

“Eye of the Storm” © Aidan Guerra, InFocus Photo People’s Choice Award winner 2016

 

PEOPLE’S CHOICE AWARD PERKS:

This year, there are some really great perks for winning the InFocus Photo People’s Choice Award.

  • You win a cash prize to VISTEKVistek_ InFocus Photo Exhibit Peoples Choice Award
  • You will have your winning image featured as a part of the spread on InFocus in PhotoEd magazine

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  • Plus bragging rights of course. The title of “InFocus Photo People’s Choice Award Winner” looks awfully good on a CV.

 

Well, hopefully these awesome perks are more than reason enough to enter InFocus. Truly, this is a wonderful, home-grown exhibition with heaps of national pride and creative flare. Please don’t delay to enter. Here are the details:

ENTER INFOCUS PHOTO:

Enter by October 16, 2016 for regular rate – $25 for 3 images

Extended deadline October 30, 2016 – $35 for 3 images

Enter online at www.infocusphoto.ca/infocus-submission/

Learn more about InFocus at www.InFocusPhoto.ca

Happy submitting!

-AMC

 

Are you the future of photography?

InFocus Photography Exhibition and Award is looking for the next big name in photography in Canada. Why are you one to watch? What are you doing differently? What old technique are you making new? Tell us: what do you have to say?

One of the great things about being a curator of a group exhibition like InFocus, is that I have the privilege of seeing some of the most talented, forward-thinking and exciting artists. I am truly proud to be a part of this great show and cannot wait sift through all the amazing entries.

InFocus is a photography exhibition that welcomes any Canadian photographer to enter their work. You could call yourself an amateur, be a student, or a veteran pro. Whoever you are, whatever your subject; we want to see what you’ve got.

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This year, the theme of InFocus Photo is… THE FUTURE.

This is a broad theme, open to interpretation. We welcome photographers to submit their best photography that relates to this theme in some way. It could connect through:
1. The technique used
2. The message conveyed, or
3. The subject of the photographs themselves

Here are some provoking questions when thinking about “The Future.”

  • What is the future of photography?
  • What makes Canadian photography distinct?
  • As a photographer, where are you going?
  • What do you have to say – and in what unique way are you saying it?
  • How does your photography provoke your viewers?
  • Why are you a photographer to watch – now and in the years to come?
  • What innovative techniques are you using or what old processes are you making new again?

The Future” is an abstract theme. We believe it can speak to all photographers, whatever the subject matter, including fine art, portraiture, nature, urban landscapes, editorial, commercial, conceptual, documentary, journalistic, social commentary, architectural, still life, wildlife, travel, multi-medium, three dimensional, and beyond.


SUBMISSION DETAILS:

Enter by October 16, 2016 for regular rate – $25 for 3 images

Extended deadline October 30, 2016 – $35 for 3 images

Enter online at www.infocusphoto.ca/infocus-submission/

Learn more about InFocus at www.InFocusPhoto.ca


Happy submitting!

-AMC

Show your Photography at The Front Gallery

The Front Gallery is a beautiful creative space located in the heart of Edmonton, Alberta, Canada. It is the perfect place to host a nation-wide exhibition of the best photography Canada has to offer. This is an exhibition you need to be a part of. InFocus Photography Exhibit and Award strives to present the current cultural climate of photography in the country. This is a major photographic-survey you want to be a part of.

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ABOUT THE FRONT GALLERY:

The Front Gallery is pleased to be able to feature Edmonton’s artistic diversity in a relaxed and welcoming environment. Whether catering to serious collectors or the casual passer-by, The Front Gallery is an inviting environment to engage with art that speaks to people about new ideas and ways of seeing.

The art exhibited at The Front Gallery comes from both Canadian and international artist and extends from traditional landscapes to more challenging contemporary pieces, all of which have the ability to surprise, delight and inspire it’s audiences.

Our passion at The Front Gallery is in providing a relaxed and inviting environment where the first connection between a person and a work of art can open the mind to a dialogue that will last a lifetime.

ENTER INFOCUS PHOTO:

Enter by October 16, 2016 for regular rate – $25 for 3 images

Extended deadline October 30, 2016 – $35 for 3 images

Enter online at www.infocusphoto.ca/infocus-submission/

Learn more about InFocus at www.InFocusPhoto.ca

THE FRONT GALLERY IS THE PROUD HOST OF INFOCUS PHOTO 2017:

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InFocus Photo Exhibit & Award wants your Photography!

The call for submissions for InFocus Photography Exhibit and Award is now underway! This is an exciting time of sorting images, selecting and planning. Which photographs will you be entering this year?

SUBMISSION DETAILS:

Enter by October 16, 2016 for regular rate – $25 for 3 images

Extended deadline October 30, 2016 – $35 for 3 images

Enter online at www.infocusphoto.ca/infocus-submission/

Learn more about InFocus at www.InFocusPhoto.ca

ABOUT INFOCUS PHOTO:

INFOCUS PHOTO is an annual exhibition that began in 2015. In it’s first year, the show took place at Harcourt House Artist Run Centre and featured Edmonton and area photographers. In the second year, InFocus expanded to celebrate the best photography from across Alberta, showcased at dc3 Art Projects. Now, in its third year, InFocus has fulfilled its mission of welcoming submissions from ALL Canadian photographers. This year, the curated show will be mounted in The Front Gallery.

InFocus Photo Exhibition and Award aims to show the best Canadian-made photography. We are looking for photographers from across the country who have something to say and are saying in a unique way – and through the lens of their camera. We welcome submissions from students to professionals living in any Canadian province.

The exhibition of curated images will take place at The Front Gallery in Edmonton, Alberta during the month of February 2017 as a part of Exposure Photography Festival. The mission of InFocus is to promote and exhibit innovative, thoughtful and provocative photography created by Canadian contemporary image-makers.

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I will be posting details about submitting to InFocus until the extended deadline of October 30, 2016. Please subscribe to this blog to stay up-to-date with the latest InFocus info.

Happy submitting!

– AMC

Emogene: Special Guest Post

Alexis Marie: I have loved sharing the stories and inspirations of some truly interesting individuals during the InFocus 2016 show. Are you excited? Even through InFocus 2016 is already underway, it is not too early to begin preparing for InFocus 2017! In the fall, we will release the call for submissions and we would love to see your work. For now, I’m pleased to introduce one of our current and talented photographers, Emogene.

Welcome Emogene!

Guest Post

I’m very pleased to participate in the InFocus Photography Exhibition 2016. Special thanks go to Alexis Marie Chute for creating and curating this wonderful event.

 

In 2008, I switched from film to digital and haven’t looked back. Having the technology to shoot as many images as I want has not changed my process. I continue to work in manual mode and take about the same number of photos I would have taken with film. Volume does not necessarily ensure the result you are looking for and personally, I’d rather spend my time focusing on one image rather than waste it by having to review and delete unwanted images.

 

When I’m shooting, I don’t make a plan because I prefer to wander. I feel like I’m in a world of my own . . . no rules, no distractions, no pressure. That way I don’t have any preconceived expectations and often find new material without much difficulty. I’ve also learned that by not looking, I can see so much more.

 

Currently, I’m working on two overlapping self-studies “Concealment” and “Inside Exteriors”. Concealment in the sense of keeping both sides of the fence separated with the choice of being either inside or outside but not both at the same time. “Inside Exteriors” is a series of images I’ve taken of building interiors through transparent exterior walls. Ironically, one of my Concealment photographs was selected for “Interiors”, a group exhibition in New York in April 2016.

Hurdles

Hurdles

 

Containment

Containment

Architecture is of great interest to me. It doesn’t matter if the building is modern, has suffered from decay, is local or international, I’ll find a way to be there. Whether it be geometric patterns, lines, reflections or a combination of these, my intention is to create something entirely new by deliberately combining existing elements in an unexpected way. The images below are from my “Inside Exteriors” series. Both images were taken in the vicinity of the Northern Alberta Jubilee Auditorium in Edmonton.

Inside_Exterior1

Inside_Exterior1

 

Inside_Exterior2

Inside_Exterior2

www.emogene.ca

Brady Simpson: Special Guest Post

Alexis Marie: I have loved sharing the stories and inspirations of some truly interesting individuals during the InFocus 2016 show. Are you excited? Even through InFocus 2016 is already underway, it is not too early to begin preparing for InFocus 2017! In the fall, we will release the call for submissions and we would love to see your work. For now, I’m pleased to introduce one of our current and talented photographers, Brady Simpson.

Welcome Brady!

Guest Post

Confinement

In August of 2015 I attended the Arteles Creative Centre in Hämeenkyrö, Finland. Navigating through Europe is very easy and relatively cheap, so I decided to visit Estonia while I was in Europe, amongst a smattering of other places. The round trip train ticket to Stockholm and back was 24 euros, and the ferry across the Gulf of Finland was 50. Within a few hours you’re in an entirely different country and culture…bliss.

Group Meeting

Group Meeting

 

Infirmary

Infirmary

Estonia is still recovering from the hangover that was the Soviet era and still maintains many pieces of soviet architecture. Tallinn has a walled centre called Old Town that stems back to the 13th century with its walls largely still in tact. This is why it is a world heritage site but it provides an amazing experience. You have a beautiful walled city, cobblestone winding streets, and stunning architecture surrounded by these peppered remnants of the Soviet Union. One of these remnants is the Patarei Prison or it’s English translation, the Battery, and for 2 euros, you can wander the remains of a complex that began construction in 1828 under Tzar Nicholas I. It is a glimpse into hell.

Accomodation

Accomodation

The basement of this prison is where I took the photo featured in the InFocus exhibition. Of the same name as the series, Confinement encapsulates the entire experience of wandering this prison. The KGB favoured basement rooms such as this for their high moisture content, it’s a choking heavy air, a type of psychological torture. The low ceilings are heavily populated with arches to maintain the massive girth of itself and windows do little more than indicate if it’s day or night.

Confinement

Confinement

Patarei Prison is right on the shoreline of Estonia’s capital city Tallinn but you’d never know it by walking the halls. The higher floors offer higher ceilings and a little more light, but there is one thing that is common throughout these buildings, they are incredibly silent, no birds, no waves crashing, just silence. After leaving the prison I had a very heavy feeling, an almost need to enjoy my freedom after being within those walls. I grabbed some deli meat from a nearby store, along with some bread and cheese, and made my lunch in a scenic park back in Tallinn’s Old Town to cleanse my pallet with beautiful scenery. Incarceration is an incredibly complicated topic and I know leniency isn’t the public’s favourite dish when it comes to prisoners. But taking a look at Patarei Prison made me ask how we expect people to get better when we put them in places like this? Is it because we don’t want to help, we just want the problem hidden? Whatever the case may be, I hope places like the Battery will remain relics of the past.

Inmate 253

Inmate 253

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