New Paintings at the AR&S Gallery

New Alexis Marie Chute Abstract Paintings at the AR&S Gallery at the Art Gallery of Alberta

I have 5 new colourful abstract paintings at the AR&S Gallery at the Art Gallery of Alberta. Up to a few weeks ago, all my art they had in stock was either sold or rented. The painting series they represent are bold, colourful and energetic. I’m looking forward to my new work, created in 2015, finding happy homes in professional and private locations.

Here are the new paintings:

“Fold” 2015  72″ x 60"  Acrylic on canvas  © Alexis Marie Chute

“Fold” 2015
72″ x 60″
Acrylic on canvas
© Alexis Marie Chute

“Expanse” 2015 16″ x 20″ Acrylic on canvas © Alexis Marie Chute

“Expanse” 2015
16″ x 20″
Acrylic on canvas
© Alexis Marie Chute

“Earth” 2015 16″ x 20″ Acrylic on canvas © Alexis Marie Chute

“Earth” 2015
16″ x 20″
Acrylic on canvas
© Alexis Marie Chute

“Happy” 2015 24″ x 36″ Acrylic on canvas © Alexis Marie Chute

“Happy” 2015
24″ x 36″
Acrylic on canvas
© Alexis Marie Chute

“Easy Going” 2015 24″ x 36″ Acrylic on canvas © Alexis Marie Chute

“Easy Going” 2015
24″ x 36″
Acrylic on canvas
© Alexis Marie Chute

To view all my work at the AR&S Gallery at the Art Gallery of Alberta, please click here.

InFocus Exhibit 2016 Photo Submission Q&A

Do you have questions about InFocus Photo Exhibit 2016? We have answers. If you don’t find the answer you are looking for below, please send us an email to infocus@alexismariechute.com, with the subject line: “Question about InFocus 2016.”

Infocus2016forAMArt

InFocus Exhibit 2016 Photo Submission Q&A

Is there a theme for the InFocus Exhibit?

There is no theme or categories for the exhibition. It is an open-theme show which means you may submit photographs of any subject you like. The goal of InFocus is to exhibit the best work by Alberta photographers.

Is there a limit to the number of photographs I can submit?

No. You can submit as many photographic images as you’d like. The cost to enter is $25 per three images. If you want to enter more than three, you may do so in a subsequent entry.

Am I guaranteed to be included in the exhibition?

No. As the goal of InFocus Photo Exhibit is to show the best work from Alberta, and also the fact that our space is limited, only a select number of photographs and photographers will be included. Even if your work is not selected, it may just mean we ran out of space and we strongly encourage you to submit again next year.

Who can submit to InFocus?

Anyone living in Alberta may submit. The competition is open to professionals, amateurs, students and young people.

How will the photographs and photographers be selected?

InFocus is curated by Alexis Marie Chute, BFA, MFA. She will select the images for inclusion from all submissions. She is looking for high quality photography that exhibits the talent and interests of our creative community. Alexis Marie won the prestigious John Poole Award for Promotion of the Arts in 2015 for her work with the inaugural InFocus Exhibit that same year.

Where will the photographs be displayed?

InFocus will be hung in the Edmonton based commercial gallery DC3 Art Projects.

Why is it important that InFocus is a part of Exposure Photography Festival?

2015 was the first year Exposure Photo Festival was province wide. In the past, Exposure only included Calgary, Banff and Canmore. Celebrating the creativity of our entire province sets the bar high and is a strong platform to promote local talent and launch emerging photographers.

When will the exhibition take place?

InFocus will be open to the public for viewing during the DC3 Art Projects gallery hours throughout the entire month of February, 2016. Gallery hours: Wednesdays 12 – 5 pm, Thursdays 12 – 8 pm, Fridays 12 – 5 pm, and Saturdays 11 – 5:30 pm. Other times by appointment.

What is the deadline to submit to InFocus Photo Exhibit?

To be considered for the featured image to represent InFocus in the Exposure magazine, the deadline is OCTOBER 15, 2015. The call for submissions for InFocus will officially close on OCTOBER 31, 2015. Please submit early.

What is the schedule of when photographers will be notified, and when I would need to drop off my work and pick it up?

Please see the official call for submissions page for the InFocus Photo Exhibit schedule.

Do I need to resize my files for submission?

Yes. Please see the InFocus Photo Exhibit technical details on the official call for submissions page.

Does my photograph(s) need to be framed to be accepted?

Your images must be prepared in a professional manner for exhibition. What that means is that they need to be printed at a high quality and either professionally framed or printed on canvas and stretched. No decorative or multi-coloured frames will be accepted. All photographs must be wired for easy hanging. Any work accepted for the exhibition but then delivered without the above listed standards, will be disqualified from the exhibition.

What do you recommend for framing?

Professional framing is always best but professional quality consumer frames will also be accepted. There must be real glass or non-glare Plexiglas, not plastic, used in the framing. Simple black/white/wood frames with mated images are a classic way to present your photograph(s). Please note the type of framing/presentation method chosen when submitting your work.

How much mating should I have around my photographs?

The size of the mat is personal preference and also a consideration of style and impact. It can be visually catching to have a smaller image with a large mat, or no mat around a photograph in a simple frame, for example. Generally, a minimum of two inches of mat around an image will give the photograph room to breathe.

Do you accept mixed media art?

We will accept mixed media art as long as the primary medium is photography. If you have questions about your specific piece, please email Alexis Marie Chute: info@alexismariechute.com

What size should I make my photographs for the exhibition?

This is up to you. If you are flexible regarding the size you print your image(s) for the exhibition, please note this in your submission form. Depending on space factors and the number of works to be shown, extremely large photographs may not fit – but this is where the curatorial magic comes in. At the end of the day, size your images to match your vision. Please state the image printed size and the final framing size in your submission.

Why do I need to submit my CV and artist statement?

This information will be printed and available for viewers of the exhibition. This information is often of interest to visitors wishing to purchase a photograph. Things to list on your artist CV that relate to you as a photographer: education, classes, exhibitions, publications, collaborations, memberships, volunteering, grants, etc. If you do not have anything to list in these categories – that’s okay! Maybe InFocus will be your first accolade on your new photography CV. If you do not submit a CV, that is totally fine. Please remember to put your NAME on all word or pdf documents submitted.

What is important to include is your artist statement: This can be as short as a few sentences to a few paragraphs. In your artist statement you can talk about how you got interested in photography, how you take your photographs, why photography is important to you and the meaning behind your work.

Can I submit a series of photographs?

Yes. The whole series may be accepted or only one image, depending on space.

Why is there a fee to submit?

InFocus Photo Exhibit is a volunteer effort and labor of love by the InFocus Team. The fee to submit your photographs goes to the practical aspects of mounting the exhibition. Such expenses include: listing the exhibition in the Exposure magazine, advertising the show, marketing & PR, printing invitations and posters, venue insurance, reception party snacks and wine, small printed programs for the show, web and domain hosting, and competitions.

How do you accept payment?

Payment is made by PayPal, either by a PayPal account or through their system using a credit card. You do not need a PayPal account to pay by PayPal.

Can I sell my photograph(s) displayed during InFocus Photo Exhibit?

Yes! One of the goals of InFocus is to support our local creative talent. All photographers will earn 50% from their sale of their work, as per standard commercial gallery commissions. Gallery staff and InFocus volunteers will strive to sell the photographer’s work and will provide interested buyers with the photographer’s contact information and purchase details.

How can I volunteer for InFocus Photo Exhibit?

InFocus has many volunteer opportunities including: hanging and striking the show, distributing the call for submissions and exhibition posters, manning the show, and setting up for and clean up after the reception, for example. If you would like to sign up to volunteer, first of all: THANK YOU! Please contact Alexis Marie to be added to our volunteer list: info@alexismariechute.com

How should I price my photograph(s)?

This is a personal decision. Some things to consider: printing costs, framing costs and your own value as a photographer (your worth should never underestimate yourself). Think about what price you are comfortable selling your work. Please do not value your work too low. If your photography is accepted into InFocus, you may discuss the price with the curator at that time.

What should I list for the date and medium of my photographs?

The date should be listed as the year the image was made. The medium can be something to the effect of “Photograph” or “Photograph on aluminum” or “Mixed-medium Photograph” or “Giclée print” for example.

What is the Curator Talk?

At 7:30pm on Thursday, February 4, 2016, curator Alexis Marie Chute will discuss the ideas and importance behind InFocus Photo Exhibit and Alberta photography, as well share about the images and photographers selected for the show.

When is the reception party taking place?

The InFocus Photo Exhibit opening reception (party!) is on Thursday, February 4, 2016, from 7 – 10pm. There will be live music, snacks and drinks. If you would like an invitation to the reception party, please send your mailing address to info@alexismariechute.com. RSVP please to help the InFocus Team. All photographers are encouraged to attend and invite their family and friends. It is going to be a great night!

 


 

If you have questions not addressed here, please email infocus@alexismariechute.com and you will receive timely answers. Odds are that if you are wondering, others are as well.

Best wishes for submitting to InFocus Photo Exhibit! We look forward to seeing your work!

Click here to read the InFocus Photo Exhibit Call for Submissions.

Click here to Submit to InFocus Photo Exhibit.

Like InFocus on Facebook.

Follow us on Twitter: @InfocusPhotoCAN

 


 

A Visit to the Art Gallery of Alberta

I love visiting art galleries. It is one of my favorite things to do. Typically, I either leave inspired or disappointed, sometimes neutral. I use the word ‘inspired’ when I’ve seen some truly interesting work that revs me up to get into my own studio, regardless of whether the artwork I saw was paintings, sculpture, photography or instillation art, – or – ‘disappointed’ because I failed to connect with the curator’s vision or the work simply didn’t speak to me.

Claude Tousignant, "Gong" 1966, acrylic on canvas, The Double Bind: Conversations Between Modernism and Postmodernism

Claude Tousignant, “Gong” 1966, acrylic on canvas, The Double Bind: Conversations Between Modernism and Postmodernism

 

Art is so personal. It’s okay to love it – just like it’s okay to hate it. Different art forms/artists/concepts/etc. speak to different people, each in their own unique way.

My recent visit to the Art Gallery of Alberta was a mix. The Jack Bush exhibit was fascinating and I learned so much. I’m eager to find a biography of Bush’s life. If anyone has read a good one, please let me know! The Modern/Postmodern show was a bit confusing. The description to differentiate the successive artistic periods was excellent, but I was hoping the visuals exhibited would bring the words to life. Unfortunately, the gallery room was a bit sparse.

 

Jack Bush

May 30 – August 23, 2015

The Double Bind: Conversations Between Modernism and Postmodernism

May 2 – September 13, 2015

 

If you make it out to any of the Art Gallery of Alberta shows, let me know what you think!

Have you seen any interesting exhibits lately?

 

Here are some photos from the visit:

Jack Bush exhibit at the Art Gallery of Alberta

Jack Bush exhibit at the Art Gallery of Alberta

The Double Bind: Conversations Between Modernism and Postmodernism

The Double Bind: Conversations Between Modernism and Postmodernism

Sculpture by Barbara Hepworth, The Double Bind: Conversations Between Modernism and Post Modernism, Art Gallery of Alberta

Sculpture by Barbara Hepworth, The Double Bind: Conversations Between Modernism and Post Modernism, Art Gallery of Alberta

Brian Jungen, "Companion" 2013, steel, deer hide, Audi fenders, freezer

Brian Jungen, “Companion” 2013, steel, deer hide, Audi fenders, freezer

Submit Now! The InFocus Photography Exhibit Call for Submissions Opens Today!

Prepare your image files and plan your framing. Which photos best reflect your style? Today is the day! The InFocus Photography Exhibition officially launches its call for submissions on August 1, 2015.

Here is some information about InFocus:

WHAT: A group exhibition featuring of the best contemporary photography by Albertan photographers. Curated by Alexis Marie Chute.

MISSION: To promote and exhibit innovative, thoughtful and provocative photography created by Alberta’s contemporary image-makers.

WHEN: February 1 – 29, 2016, taking place during Exposure Photography Festival

WHERE: DC3 Art Projects, commercial art gallery in Edmonton, Alberta. 10567-111 Street.

WHY SUBMIT: InFocus is a great opportunity for photographers from Alberta to be featured in a noteworthy exhibition during a major photographic festival. Photographers and their work will be celebrated in a beautiful commercial gallery, receive tremendous exposure across Canada, and become one of the distinguished InFocus Alumni.

Please click here to submit your photography to be considered for the 2016 InFocus exhibition.

Follow InFocus Photo Exhibit on Twitter.

Like InFocus Photo on Facebook.

www.InFocusPhoto.ca

The InFocus Call for Submissions Opens August 1

InFocus is a celebration of the best in contemporary photography. It is an exhibition and celebration I am honoured to curate, bringing attention to noteworthy image-makers and their work. Last year, InFocus set out to showcase the top photographers from Edmonton. This year, we have expanded the region to include all of Alberta. The bar will be set high as we welcome images from across our diverse province this summer and fall during our call for submissions.

INFOCUS 2016 LOGO large Alexis Marie Chute Art line

The InFocus exhibition will run the month of February 2016 during Exposure Photography Festival. Photographs selected for InFocus will be exhibited in DC3 Art Projects, a commercial gallery in Edmonton. I am so glad DC3 Art Projects has come on board so our exhibition will run the whole month of February and display the photographers work in such a beautiful space.

InFocus is a great opportunity for photographers! The call for submissions opens on August 1, 2015. I hope you will submit.

Please click here for more information about InFocus.

Subscribe to this blog to receive updates on InFocus.

Robert Pohl Photography: Special Guest Post

Alexis Marie: I have loved sharing the stories and inspirations of some truly interesting individuals during the InFocus Alumni photography blog series. Are you excited about InFocus 2016? We will soon release the call for submissions and we would love to see your work. For now, I’m pleased to introduce Robert Pohl, a modern photographer engaging traditional processes.

Welcome Robert!

 

GUEST POST

 

"Piano" copyright Robert Pohl

“Piano” copyright Robert Pohl

My name is Rob Pohl.  I was born in Edmonton over half a century ago and have lived here my entire life.  I’ve been photographing the area specifically, but the world in general for about 35 years.  I started out shooting film, and have stayed with it.  I spend my working days in an office staring at a computer monitor.  When I want to escape from that world and immerse myself in my photography, the last thing I want to do is spend yet more hours staring at a stupid monitor. While the masses have embraced digital photography and image manipulation software, I continue to work with film and traditional wet photography.   I enjoy the relaxation and escape of the darkroom, the mixing of the chemistry, the experimentation, and the process of creating something with my hands.  I shoot black and white film and process and print everything myself.  In this age of digital photography that makes me a dinosaur.  But I also think that it sets me apart from the masses that blast away with digital cameras.  My approach is much more methodical and measured and I try to make every shot count.

"Schoolhouse" copyright Robert Pohl

“Schoolhouse” copyright Robert Pohl

Most of my work is shot with a large format 4″ x 5″ view camera.  A dabble a little with medium format roll film, and with the even larger 8″ x 10″ format.  I shoot mostly landscapes, landscape details, and historical images.  It disturbs me somewhat that our province is falling victim to massive population growth and extensive development.  Mankind seems too wrapped up in economic growth and development and seems to place little value on the natural world, and a responsibility to our planet.  We all need to step back and take a deep breath and garner a little appreciation for the world around us, and what our lifestyle is doing to it.  Hopefully my imagery helps to illustrate an appreciation for where we have come from, where we are going, and what the consequences are.

"Rock Pool" copyright Robert Pohl

“Rock Pool” copyright Robert Pohl

In early 2015 I became involved in the InFocus Photography Exhibition that has expanded from Calgary and Banff, to the provincial level.  The YEG show in Edmonton that I was involved in was curated by Alexis Marie Chute.  I felt privileged to be included in that show, and hope to take part in future exhibitions.  I’ve included a selection of images that are typical of my work.  I regularly post work to my Flickr account, and to my blog…

https://www.flickr.com/photos/130527519@N08/

www.robertspohl.blogspot.com

 

Wilfred Kozub Photography: Special Guest Post

Alexis Marie: Are you enjoying the InFocus Alumni photography blog series? Today I would like to introduce you to Wilfred Kozub, photographer and artist of many mediums.

Welcome Wilfred!

 

GUEST POST

 

Wilfred Kozub, Multi media Artist

 

These are exciting times as I seem to have a lot of art projects on the go. I have gradually branched out from being a painter and pop/electronic musician to becoming a multi media artist.

 

"Treads" copyright Wilfred Kozub

“Treads” copyright Wilfred Kozub

I feel that colour and motion are the most conspicuous features in my paintings. These are elements that I typically bring to my photographic images, and to my music, too. I am now applying the same sensibility to my recent ventures in making little lyric videos to post on YouTube for my tunes. An extended music-based film titled “The Weather” will come out in the fall of 2015.

 

"Go North" copyright Wilfred Kozub

“Go North” copyright Wilfred Kozub

My paintings are frequently populated by swallows, magpies . . . and electrical activity. The goal has always been to engage the viewer with interesting ideas in an accessible format – keep it simple and make it striking!  My painting, No One Gets Zapped is a good example of the electrical motion and vibrant colour that I’m talking about, and you can hear its audio equivalent in my song, Wilfred In The City.  

 

"Delirious World" copyright Wilfred Kozub

“Delirious World” copyright Wilfred Kozub

Although photography isn’t at all new to me, I have recently brought my camera into action more and more with my photographic images now sharing nearly equal billing with my paintings on art cards and prints that I regularly show at the Royal Bison Art & Craft fair. My paintings have also been displayed in group and solo art shows with The Works, at the Artery, and other Edmonton gallery venues. It was a proud moment for me to ‘come out’ officially as an artistic photographer at the inaugural InFocus show for the Exposure Photography Festival in Edmonton (February, 2015). What a fine show it was, and such an excellent opportunity to have some of my new photographs displayed alongside the works of terrific Edmonton photographic artists.

 

My artwork and photography frequently can be seen in the graphic design for albums by my band, Wilfred N & the Grown Men. I have come to recognize the decorative quality of many of my paintings which use repetitive images (see I See By The Colour of Your Eyes That You Are One of Us). A new painting titled Delirious World has become the centerpiece for new cards and prints – and for my freshly designed, Delirious World printed silk scarves. That image is going to be expanded and transformed to be re-purposed as the cover art for my upcoming tenth Wilfred N & the Grown Men album titled Passing Through Time. A debut solo Wilfred Kozub album, “What’s Gonna Become of Us” is also in the works, and my photograph Ancient Flowers, Rome will be the cover image for that one. Lots going on! . . .  I had better get to work!

Listen to “Wilfred in the City”

Wilfred Kozub

 

Contact Info:

 

Email:  wilfredkozub@gmail.com

Facebook: https://www.facebook.com/wilfred.kozub

Twitter: https://twitter.com/wngm

 

 

Links:

The Wilfred Kozub Art & Ponder Tumblr Page:

http://wilfredkozub.tumblr.com/

 

Wilfred Kozub on Soundcloud

https://soundcloud.com/wilfred-kozub

 

Wilfred N & the Grown Men on Bandcamp

                  https://wilfrednthegrownmen.bandcamp.com/

 

Wilfred N & the Grown Men on AmazingTunes

http://amazingtunes.com/wilfrednandthegrownmen

 

 

 

Videos:

Nobody Has To Know            https://www.youtube.com/watch?v=Yab2dUwo6J0

Wilfred In the City            https://www.youtube.com/watch?v=0WGA9YpxXPo

Thunder on the Tundra    https://www.youtube.com/watch?v=rVmQUZgcR_U

 

 

Art through the Lens Exhibition

This summer, one of my portraits from The Quiet Rebuild will be featured in an exhibition called Art through the Lens held at the Yeiser Art Center in Kentucky. The exhibition was curated by juror Sarah Sudhoff.

Here is some information about Art through the Lens, curtisy of the Yeiser Art Center:

HISTORY

Originating in 1975 as the Paducah Summer Festival Photo Competition, Paducah Photo has grown from a fledgling contest into an international juried exhibition. Over the past 40 years, this exhibition has become one of the Mid-South’s most prestigious annual photographic events.

In 2013, Paducah was bestowed the honor of being designated a member of the United Nations Educational, Scientific & Cultural Organization (UNESCO) Creative Cities Network in the area of Crafts & Folk Art. To embrace both this international honor and reflect the international growth of the exhibition, this year Paducah Photo will take on a new name, Art Through the Lens.

Untitled-1

 

Art Through the Lens is open to all without restrictions on size or content. It provides photographers with an outlet for their art, encouragement for growth in their vision and presentation and cash rewards for works of exceptional merit.  Each year from the hundreds of works submitted, 60 – 100 images are selected for exhibition by a highly qualified juror, with five of them receiving cash awards. An awards presentation will be held during the opening reception.

Yeiser Art Center is a non-profit visual arts organization celebrating more than fifty years of serving the community with exhibitions and education throughout the Tri-State Region. It is situated near Paducah’s riverfront at 200 Broadway in the historic 1905 Market House building.

yeiser art center alexis marie chute

 

Plan a visit to Art through the Lens:

Yeiser Art Center

200 Broadway

Paducah, KY 42001

Tuesday – Saturday, 10 a.m. to 5 p.m.

Exhibition dates: June 20 – August 1, 2015

Gerry Dotto Photography: Special Guest Post

Alexis Marie: Continuing on in the InFocus Alumni photography blog series, I am pleased to introduce Gerry Dotto. Taking the everyday and making it interesting is quite a feat. I hope you enjoy Gerry’s images and the way he expounds on them.

Welcome Gerry!

 

GUEST POST

 

On a recent trip to Boston, I visited the Museum of Fine Arts to see an exhibition of works by two historically prominent photographers: Herb Ritts and Gordon Parks. It was a great show, and the impact of seeing iconic photos up close and in person really left an impression. This experience truly underscores the importance of getting one’s photographs printed and, if the occasion arises, put on display. It’s one thing to look at a digital image on the screen, but it’s no comparison to a well-printed photograph that allows you to truly appreciate the tone, the light and the detail.

 

copyright Gerry Dotto

“Stickers or Stamps, Crutches or Stilts” 2014, Digital print on photo paper 22” x 17” (55.9 x 43.2 cm) image size Edition of 30, copyright Gerry Dotto

I recently had the opportunity to participate in the InFocus Edmonton exhibition, where I showed a photo from a series I’ve been developing called “Flow of Traffic Theory.” My work is conceptual in nature and is based on exploring our interaction with everyday forms of visual communication. This series originated from my fascination with the simplicity and universality of the imagery used on road signs. Specifically, signs whose words and symbols have become obscured or distorted in some way.

 

Peach Inspediment - Composite 1, 2014, Digital print on photo paper, 22” x 16” (55.9 x 40.6 cm) image size, Edition of 30, Copyright Gerry Dotto

Peach Inspediment – Composite 1, 2014,
Digital print on photo paper, 22” x 16” (55.9 x 40.6 cm) image size, Edition of 30, Copyright Gerry Dotto

Over the course of the last several years, I’ve kept a keen eye out for road signs that have been damaged, run over, victims of adverse weather or compromised by construction. The interesting thing is that these signs are generally overlooked by drivers—no need to look at a sign that can’t be read. The signs, in effect, become “invisible.” The value of these signs, relative to the message they once carried, has been lost. They now take on an aesthetic value of their own, either in their appearance, the reinterpretation of their message or based on the context of their physical location. The images in this series set out to reveal the relative beauty of these objects that have lost their inherent value.

 

"Red Cross" 2012, Digital print on photo paper, 22” x 15.5” (55.9 x 39.4 cm) image size, edition of 30, Copyright Gerry Dotto

“Red Cross” 2012, Digital print on photo paper, 22” x 15.5” (55.9 x 39.4 cm) image size, edition of 30, Copyright Gerry Dotto

During the run of the InFocus Edmonton exhibition, I met a few photographers whose work I was familiar with but hadn’t had the occasion to meet yet. Seeing my work in relation to theirs, as well as other photos in the show, fostered some new perspectives on how I approached my own picture making. I realized that many of my photos of road signs were taking on human characteristics, in the sense that I was portraying them like they were portraits of people—people wearing masks. What are they hiding? Is it about insecurity? A secret identity? Is it a game? In the end, these photos offer more questions than answers.

 

Ultimately, photography is a medium about “showing” what’s in our world and, in theory, it captures “truth.” The photographic print remains the best medium for revealing the photographer’s vision. Personally, I benefitted from this exhibition experience when deeper aspects of my own work were revealed to me. While I set out to show the world my vision, I’m hiding from it, too. You can see more of my work on my website, gerrydotto.com, or contact me at gerry@gerrydotto.com

 

 

The Quiet Rebuild in The Bellingham Review

I am honored to have three of my fine art photographs featured in the recent issue of the Bellingham Review. Their Spring 2015, seventieth-Issue arrived in my mailbox all the way from Western Washington University. I am always impressed with publications that merge multiple art forms into one. Placing photography and art beside written literature is wildly stimulating for readers – who are also viewers.

Issue70Announcement

My images in The Quiet Rebuild are about the resiliency of the human spirit to press on after hardship. The people included in the portraits are volunteer models who responded to a public call. They felt that participating would be a healing step on their journey – and I believe they are right. The Quiet Rebuild is an exciting and provocative project with a big heart. I am always blessed by the people that pose and share their stories.

Alexis Marie Chute Bellingham Review art photography blog

If you would like to be one of them, email me at info@alexismariechute.com with the subject: The Quiet Rebuild.